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Friday 5/28/10
Why am I up at 4:00 a.m.? Even at home, the Meow Alarm Clock doesn’t go off until 5:30 at the earliest. Whatever. At least there are WEST WING reruns on Bravo. Which I watch until about 6:30. Then I fall back asleep until 9.
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Dan fetches us for the rainy route to the Olympics Peninsula (as I call it). We wait for about an hour but make the 3:05 ferry. It’s a holiday weekend, so it could have sucked big time! We discuss business, showers come and go, we crack then close the car windows, laugh about playing outdoor festivals this gloomy Northwest weekend. On the ferry, I treat myself to popcorn upstairs and melt into a window seat, reveling in the Puget Sound mist. Anyone who tells you grey can’t be gorgeous hasn’t been here. This scenery feels like someone stroking your hair as you drift into sleep.
Port Angeles is a sleepy town on the north-facing coast of Washington state. From the 101 Highway you can see the Strait of Juan de Fuca, or "Wanda Fuca" as we call it. Ferries run regularly to Vancouver Island from downtown. We’re playing the Juan de Fuca Festival, a compact gem that showcases mainly local acts, arts and craftspeople. Although sad to find no halibut at the food booths (hello, it’s halibut season), I do find amazing BBQ and some locally jarred preserves to take back for Eben. It’s still drizzling but someone on the staff lends me a slicker. Goes well with my plastic-bag wrapped feet. I realized today that I have no waterproof shoes, so I wrapped my feet (inside the shoes). Works great. Looks REALLY COOL (sorry, no picture).
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The show is INDOORS! Although the Festival was sparsely populated earlier, our 60-minute set at the Vern Burton Center Mainstage is packed and killer. It’s always cool when this happens in a new place. TWILIGHT jokes. Rocking. Fans who meet us in the Festival Store and scoop lots of merch. Several tell us they’ve been listening to us for years but never dreamed they’d get to see us live. Uber-fan Lisa has a seriously vintage Bobs tee (see photo). As Matthew said, apparently we have a market in Port Angeles. I’m sure we’ll be back. And I hopefully I won't be dressed as the Gorton's Fisherman!
Matthew vrooms us back to the Kingston dock at 10:14. And...they cancel the 10:15 ferry because there is so little traffic headed to Seattle tonight. We have to wait until 11:10. Last time it was Hood Canal Bridge construction. YEESH! We fetch our respective phones…
Saturday 5/29/10
Much better sleep. Coffee and The Freddie (Fred Meyers), where I seek out a spray that waterproofs shoes. The can says you have to let it dry for 48 hours. By which time I will not need it. DOY.
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Sunday 5/30/10
Me sleep good... and it's off to a grand New Orleans style breakfast at Petit Toulouse. Eben and I cheer up and coin what SHOULD be their new slogan: "Petit Toulouse - it's worth Lautrec!"
Later on, Eben heads to his Folklife show with the Ballard Sedentary Souza Band ("no, please, don't get up") and I catch a flick at the Seattle International Film Festival. Hard to believe I've never seen ON THE WATERFRONT. And I didn't know it was the only movie score Leonard Bernstein wrote. His daughter Jamie is here, and she takes questions and comments at t
he end after telling a few anecdotes about her father and the film. I note that the final bars of the score are very reminiscent to WEST SIDE STORY - the top register instruments sounding a hopeful chord as a tritone (the most dissonant interval) answers in the bass register. It musically echoes the mixed message at the end of both works - HOPE!/"YEAH, RIGHT!" She responds, "An amazing and excellent observation! Give a prize to that woman, someone!" We chat a bit afterwards. How cool is that?
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Dinner with my friend Barry, up from San Francisco for the holiday weekend, and his pal Ed at evil-good spicy Chinese palace Snappy Dragon. Cocktails are part of this indulgence. What is with me this weekend?!?!
Monday 5/31/10
Folk Festival History was made on this day. We were selected to be the closing act in a Dolly Parton Tribute Concert at Northwest Folklife today at 2:45 p.m. (Parton is a killer writer, for those of you unfamiliar with her beyond "9 to 5.") We arranged her kiss-off tune, SHINOLA, with me singing an energetic lead (and NOT bleeping the word "shit"), planning to meet at 2:00 p.m. to run it a few times. Then the unexpected: They were running EARLY. A HALF HOUR EARLY. Anyone who has ever performed (or maybe attended) a folk festival knows that acts sometimes go on and on, people are too nice to ask them to wrap up, and the event is generally run by a hippie bureaucracy so staying on schedule is...relative. : ) Running early is the absolute last thing you would expect! We are onstage by 2:10 and done by 2:25. It's a real blast, but certainly strange!
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After an amazing burger at Blue Moon in Fremont, I'm headed to my friend Tim's place for the evening. Tim's a former/occasional member of the Flying Karamazov Brothers (our erstwhile collaborators and friends) and one of the main brains behind Seattle's Moisture Festival, which just celebrated its 7th year. This one-of-a-kind New Vaudeville celebration is growing in leaps and bounds as of late. Tim's guest room in the attic, a.k.a. the Purple Penthouse, has a most amazing view of Ballard and Fremont if you open the angled ceiling window. It's perfect for worldly and other-worldly contemplation.
Tuesday 6/1/10
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Today we're working on two of my charts. Matthew and Dan lay down backgrounds for THE MINUTE WALTZ (the 60's version with lyrics by Lan O'Kun), then we finish WHAT I AM, that New Bohemians reggae tune from the late 80's. I must admit I really wanted to sing it so I could say the words, "I'm not aware of too many things." Not only do I find that amusing, but if I may be so bold as to quote Shakespeare in the same paragraph as Edie Brickell, I also think "'Tis a consummation/Devoutly to be wish’d." I wrote a horn part for Dan and me that we mess with after it's recorded; some cool distortion, compression and wah effects...
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Teagan was drinking orange juice from her Queen Amidala cup yesterday. She always holds it up proudly and says, "It's fwom my Aunt Amy!" She also explained that you can tell Amidala's a princess because she has a nose and hair. Which, her Daddy pointed out, also makes Teagan a princess. And I avoided pointing out that also makes HIM a princess. Well anyway. Thanks again--it was great to see you for five whole minutes!
ReplyDeleteLove,
Alli
Sounds like much fun. Wish I could have been there. McCabe's was cool though, even though Dan didn't do "But I Was Cool." I LOVE that song. Hurry back to So CA guys!
ReplyDeleteGreat show at Folklife! A friend who hadn't experienced The Bobs before came, and loved ths show. And we loved your skirt made of neckties. Did someone make that for you, or was it a family heirloom? :)
ReplyDeleteGlad you liked Snappy Dragon -- it's one of our favorites.
Michael - I got the tie skirt at a great store in Pioneer Square called Synapse 206. They feature local designers. I actually wanted the one with a Denny's tie, but it was (ironically) out of my price range!
ReplyDeleteAmy Bob-
ReplyDeleteIn another blog entry, I read you were thinking of temporarily retiring "White Room." I hope not! In any case, you seemed to be fishing for possibly replacement suggestions. Give a listen to The Who's "Who Are You?" It's musically interesting, in addition to just being a great classic rock song. Also, Foghat's "Slow Ride" has some potential, and Steppenwolf's "Magic Carpet Ride." Gonna bring a crowd, hopefully, to the next Triple Door show!
"My Shoes" seems to work as well as "White Room" as a closer, plus it makes a killer sing along!
ReplyDelete